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Rob And she uses the word signifies, which means giving the meaning of something. The sari obviously has an emotional attachment for her.  

Luckily, we keep getting the exemptions, like noting that Europeans actually ARE into soccer. Well, we call it football. Also there should be an exemption about the sportswear. Europeans dress up after work, if they are going somewhere, Americans dress down. This means you are likely to meet a European person on the way to work in his fleece jacket, only to meet him out on town in an elegant coat and some snappy shoes after work. There should be warning for American men dating European women: do not get into your casual wear if you have invited her out to dinner! She ll come dressed to kill and if you re not dressed for it, she ll just leave your carcass in the gutter.

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Another important thing (if not the most important thing) to look for when choosing fabric for your clothing projects is the weight . Fabric weight means how thick/heavy a fabric is, and the weight you choose depends on what you are making and the feel you want for your garment. It's a personal choice, but it also has to be practical. The different weights can be referred to as top-weight, bottom-weight, very light, light, medium and heavy.

Exactly. As an American living in the UK for the sixth straight year, I was thinking exactly this, Tessa!

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Irish women find flattery abhorrent, writes Emma Comerford, who says this is why they are advised against dating French men.

Rob Yes. But the meaning of clothes goes far deeper than what you should or shouldn't wear in the workplace, Will. It can really influence what people think of us. Now, rightly or wrongly, they can make snap judgements - or quick decisions - about us.

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Yup, I am with Chris. Our HOA specifically bans hanging laundry, even in the backyard where it can t be seen! Besides, I also don t like the stiffness of line-dried clothing, and it would be my luck that I would forget it outside and some animal would do something horrible to it.

A sampling of items from online luxury consignment shop RealReal, which has raised $83 million in venture funding.

James Reinhart spent months trying to get somebody, anybody, to invest in his idea: an online clothing exchange for women and kids.

OMG! This is sooo funny! I m in seattle and no one knows how to dress anymore. We make fun of those women who wear velour track suits but is it any better to go to Starbucks all decked out in REI?

 
I agree with Tina. I would think that line drying vs. electric drying would not be enough to cause World War III on Jillee s very eye opening post. It s true that it saves a lot of money when you line dry clothing, but it is not always possible. Please think about things before you type/say them.  

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De Magalhaes and Gladyshev are under no illusions about the arduous journey but they remain hopeful. History is full of claims by experts that certain advances are impossible, only to be proven wrong soon after, says de Magalhaes. Consider the state of medicine just 120 years ago, when some of today s bowhead whales were still in their infancy. Back then life-threatening infections were just a fact of life. Today, antibiotics are taken for granted as the most basic healthcare.

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To each his (or her) own. Everyone has his or her own preferences. Personally, I use a clothesline much of the time in summer, but often toss those clothes into the dryer just to fluff them. Oh, that tends to get the beetles out, too. No fun finding a beetle in your undies.

 
Thank you for all the useful info on sewing. I want to make my own clothes and I feel that I am capable, now that I have received great info from your blog. Thanks for sharing  

A big advantage of making your own clothes is that you can choose from some amazing (and novelty) fabrics - including ones which you can use to pay homage to your favourite movie/tv program/actor etc - in fact you'll find kid's duvet covers are a great source of weird and wonderful fabrics!

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Sampoorna Yoga Studio is organising a Clothes Swap Party on Saturday 29 August 2015 - bring some, take some! Women's and children's autumn season clothes, clean and in good condition only. Everyone welcome.

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A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a...

A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a distinct leaning toward celebrating the sensuality and eroticism of both his character, and his proudly displayed body, bare under hot bright sun.

Though very similar to this other photograph by von Gloeden, the mood here is changed entirely - no peace and gentleness in the model’s pose, the addition of some dark stain to represent blood spilling beneath his fingers.

Though very similar to this other photograph by von Gloeden, the mood here is changed entirely - no peace and gentleness in the model’s pose, the addition of some dark stain to represent blood spilling beneath his fingers.

What a beautiful classically-inspired scene from von Gloeden; quite typical of his work, and quite lovely!

What a beautiful classically-inspired scene from von Gloeden; quite typical of his work, and quite lovely!

A skilfully composed garden scene by Wilhelm von Gloeden, taken toward the end of the 19th century at his villa in Taormina, Sicily.

A skilfully composed garden scene by Wilhelm von Gloeden, taken toward the end of the 19th century at his villa in Taormina, Sicily.

One of von Gloeden’s most recognisable models, the charming Pascquale Stracuzzi or ‘Pasqualino’ (right), in a very similar pose to this beautiful photograph, but here having gained an equally graceful and good-looking companion.

One of von Gloeden’s most recognisable models, the charming Pascquale Stracuzzi or ‘Pasqualino’ (right), in a very similar pose to this beautiful photograph, but here having gained an equally graceful and good-looking companion.

The bejewelled boy from Naples, his distinctive necklace and bangles barely visible in this shot, but more revealed by the dropping of the dark fabric which carefully covered him, when he posed for the better-known image in this set, Pompeii c1895.

The bejewelled boy from Naples, his distinctive necklace and bangles barely visible in this shot, but more revealed by the dropping of the dark fabric which carefully covered him, when he posed for the better-known image in this set, Pompeii c1895.

Pascquale Stracuzzi poses for Wilhelm von Gloeden, in the latter years of the 19th century, the snowy peak of Mount Etna faintly visible behind him (as in this photograph from the same set). The pretty pale wildflowers have been carefully picked out...

Pascquale Stracuzzi poses for Wilhelm von Gloeden, in the latter years of the 19th century, the snowy peak of Mount Etna faintly visible behind him (as in this photograph from the same set). The pretty pale wildflowers have been carefully picked out by hand with white highlights, at first they appear genuine but on closer inspection are an artistic embellishment - editing of photographs to remove flaws or add detail is not a new pursuit by any means!

A captivating close-up portrait of Pietro by von Gloeden, taken in 1890s Taormina, Sicily.

A captivating close-up portrait of Pietro by von Gloeden, taken in 1890s Taormina, Sicily.

The moment I realised there was more than one Cain photograph in Wilhelm von Gloeden’s catalogue, I started to spot more and more variations. This one bears small ink annotations in von Gloeden’s own hand; if anyone can read what they say and would...

The moment I realised there was more than one Cain photograph in Wilhelm von Gloeden’s catalogue, I started to spot more and more variations. This one bears small ink annotations in von Gloeden’s own hand; if anyone can read what they say and would care to share with all the readers here, I’d be delighted to add that information to my caption!

Taken in the November of 1904, this photograph of Pancrazio Buccini Il Moro and a much taller friend (whose name is sadly not recorded) has been censored - at the time of publishing, not a modern digital edit - by the careful drawing in of a white...

Taken in the November of 1904, this photograph of Pancrazio Buccini Il Moro and a much taller friend (whose name is sadly not recorded) has been censored - at the time of publishing, not a modern digital edit - by the careful drawing in of a white loin cloth. This is not the only time this appears in von Gloeden’s work, as the examples here and here do show!

Another completely captivating 1890s portrait by von Gloeden; a beautiful Sicilian man with dark-smudged deep-set eyes and a noble profile, a garland of entwined flowers and ivy leaves about his hair.

Another completely captivating 1890s portrait by von Gloeden; a beautiful Sicilian man with dark-smudged deep-set eyes and a noble profile, a garland of entwined flowers and ivy leaves about his hair.

In the garden of von Gloeden’s own villa above Taormina, toward the end of the 19th century; one model strikes a pose while the other seems preoccupied with the flowers!

In the garden of von Gloeden’s own villa above Taormina, toward the end of the 19th century; one model strikes a pose while the other seems preoccupied with the flowers!

A tranquil seaside scene from Wilhelm von Gloeden, taken toward the end of the 19th century.

A tranquil seaside scene from Wilhelm von Gloeden, taken toward the end of the 19th century.

A postcard from the 1910s, published by the firm Galifi, and featuring a photograph by Wilhelm von Gloeden taken in the 1890s. The model on the right is Pascquale Stracuzzi, I regret I cannot recognise his companion from behind!

A postcard from the 1910s, published by the firm Galifi, and featuring a photograph by Wilhelm von Gloeden taken in the 1890s. The model on the right is Pascquale Stracuzzi, I regret I cannot recognise his companion from behind! 

The model on the left is surely the most eyecatching in this scene captured by Wilhelm von Gloeden, stunning looks and a magnificent physique, the translucent fabric slung loose and low below his waist tantalising the admiring eye rather than an...

The model on the left is surely the most eyecatching in this scene captured by Wilhelm von Gloeden, stunning looks and a magnificent physique, the translucent fabric slung loose and low below his waist tantalising the admiring eye rather than an overly modest cover-up! The model in the centre does much to match the allure of the first…but the sidetracked chap on the right really could try harder!